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This essay discusses Hemmingway’s Hils like White Elephants. Critics have found themselves searching in various directions for an “explanation,” together with the indicative manifestation and color of the hills (Abdoo 238), the implication of an unnecessary gift disguised in the term “white elephant”, and the inappropriate allegation of “an annoyingly useless gift” and “a possession of enormous value”. Sherlyn Abdoo draws suggestive allusion to the opulently and enormously meticulous pattern of Hemingway’s story.

Hemingway also uses a part of the setting, a beaded curtain which assists as a partition in the bar, to illustrate conflict between the characters. At one point during their conversation, “the girl looked at the bead curtain, put her hand out and took hold of two of the strings of beads” (page #). The whole thing in the story adds in some way to its meaning. Critics have found themselves searching in various directions for an “explanation,” together with the indicative manifestation and color of the hills (Abdoo 238), the implication of an unnecessary gift disguised in the term “white elephant”, and the inappropriate allegation of “an annoyingly useless gift” and “a possession of enormous value”. Sherlyn Abdoo draws suggestive allusion to the opulently and enormously meticulous pattern of Hemingway’s story.

Certainly, drinking is a part of the man’s existing lifestyle. Upon entering the bar the man orders a couple of alcoholic drinks for both, then one more. The girl later remarks about how their bond appears to circle about looking at things and trying latest drinks (page #). Jig’s reaction, belated but conscious, and constant with her good judgment of what the hills are like, is hinted at in the doorway. The breeze through the bamboo curtain demonstrates for her the charming past and the harsh present. In the very drinks that both have, it conveys to the man, with doltish literalism, “a drink,” but to Jig, a licorice taste grown as bitter as wormwood–the very taste evoking “all the things you’ve waited so long for, like absinthe” (page #).

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